We’ve been littering….

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… for a good cause!

Sat 22nd April marked World Earth Day. First celebrated in 1970, Earth Day events take place in more than 193 countries and are held to demonstrate support for and educate others about environmental protection.


Pop Up Docs were fortunate to be able to screen the recently released film A PLASTIC OCEAN which highlights the plight of marine animals living among the estimated 5 trillion pieces of plastic rubbish generated by humans. Our team created a trail of plastic waste from Bath Spa station to the secret venue.


The film itself was a shocking watch. And if that didn’t get us riled up enough the film was introduced by DOP Mike Pitts who revealed how horrifying it was to have to watch many of these tragedies unfold before his eyes. Pitts believed the film should have been made several years ago – and indeed it feels like a tragedy that has been unfolding for some time.


Mike and the PLASTIC OCEAN team traveled the world to bring us this incredible story. But in fact it’s as much a local story as it is an international one.

Filmmaker Dan Wiseman of Wiseman Productions was inspired by the actions of the Ado Shorland in Bude, North Cornwall. He started a collective when he realised that instead of collecting driftwood, maybe he should be collecting all the plastic being washed up on the beaches and so began Widemouth Bay Task Force..

Dan’s short film LOVE WHERE YOU LIVE documents the team, who spend their down time tackling the deluge of waste washed up on North Cornish beaches – come rain, shine or gale force winds! But the clean up has had more of an impact on the community than they imagined – inspiring and facilitating artwork, decorating the homes of locals and even helping to rehabilitate a woman with a debilitating condition…

Watch Dan’s inspiring film here

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The Director’s Perspective…

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Last week we were proud to be able to host a preview screening of director Rachel Meyrick’s feature documentary WHAT DOESN’T KILL ME. Here she talks about the experience of screening her film with us…


If working on something for 4 years alone and finally showing the finished thing to a room of people wasn’t hard enough, POP UP DOCS had found me a court room for it to happen in.

Bath Council Chambers in The Guildhall, Bath was POP UP DOCS latest amazing venue for the first ever (preview) screening of WHAT DOESN’T KILL ME, a documentary about how American women struggle in court to keep custody of their children after leaving their abusive partners – sadly, most of the time they fail due to an inept court system.

A stunning Georgian Council Chamber with dark wood curved seating and the big screen at the front. I sat at the back watching the audience carefully for signs of fatigue or boredom and was really concerned when the credits came up and still not a sound. Turns out, everyone was a bit stunned which was GREAT! We had a lively Q and A session hosted by POP UP DOCS’ Clair Titley, a woman who was instrumental in the final structure of the film as my edit producer. One year ago POP UP DOCS had hosted a test screening of a roughcut of this film in order for me to get some kind of understanding of what the audience got from the film. After 3 years of working completely solo on this – camera/sound/producing/making tea, it was very hard to have perspective on what I was doing, so this previous test screening was invaluable.

During the 2016 test screening one of the things that arose was that nobody was clear at the beginning, what the film was about – I had no idea. I think the premise is so shocking they wanted to know upfront what the film was about and get on with following the explanation of ‘why’ for the rest of the film; basically the exact same journey I had just been on over the 4 years making the film.


“How is it that abusive fathers can be getting custody of kids more frequently over the protective mothers?”

Four years on I have a fair grasp on why but still it does not make sense when you say it out loud.  During the last year Clair and I had worked and reworked, shot more, killed some of my favourite bits and ended up with a finished product with music and graphics; proud to show it to a fresh Bath POP UP DOCS audience.

One of the highlights at the Council Chambers last Saturday was from an audience member who had also attended the test screening a year previous, as a school counsellor in training she had used the information in the film about the ACE study (Adverse Childhood Experiences study) in her work with teenagers. I found this very moving, as did many others in the room. One woman said she felt like she was on trial like the mothers in the film, sitting, as we were, in a courtroom. Other people wanted to know more about individuals in the film and discuss around whether this is happening in our country in the same manner (it is).

It really felt like those 4 years of unpaid toil was validate by the gratitude with which the audience gave; their engagement with the subject and their palpable passion to see this travesty is exposed further.

Thank you POP UP DOCS

Rachel Meyrick


Rachel’s film has been triple F rated and is distributed by WOMEN MAKE MOVIES and you can keep up to date with news related to the film via twitter: @whatdoesnkillme


“While most audiences are enjoying the fairytale ending of Beauty & The Beast this week, WHAT DOESN’T KILL ME exposes a national travesty that can barely be believed. Both sensitive and shocking, this documentary lays bear a problem you never knew existed but one you know needs solving. Rachel has clearly worked very hard to bring this story to the big screen but above all, is incredibly brave to tackle such a subject for her directorial debut”  –   David Wall – Director & Co-Founder, Dusted

 “In a world where social and legal equity is still in short demand for many, films like What doesn’t kill me are crucial for giving a voice to the voiceless and the silenced. It is a powerful portrayal of how those with social, economic and political capital can crush those who do not. What doesn’t kill me does that rare thing of uncovering a largely unknown, but pervasive, scandal through the telling of personal stories of women whose lives have been inexorably affected by wide scale systemic failure. “  –   Chris Sowton, Freelance International Education Consultant

 “WHAT DOESN’T KILL ME was harrowing viewing and yet left me feeling fired up rather than despairing. The mothers featured in this film have been crying out to be heard and the hope and trust that Rachel inspired in them is palpable. I came away hopeful that this film has the power to change things, to open people’s eyes to the suffering of victims of domestic violence and the further injustices many have to endure should they dare to speak up for themselves. As an adoptive parent, I live with the traumatic effects of domestic violence. This film gives powerful voice to victims of domestic violence, making it clear that more must be done to protect them and make it safe for them to escape before the damage becomes irrevocable.”  –  Bo Wiseman, Video Production, Adoptive Parent

“This is a powerful and timely film that manages to be a call to arms that conveys the gravity of the subject matter, whilst at the same time avoiding getting mired in accusations and politics. That being said it has the weight to open eyes and hopefully help to bring much needed change.”  –  Dan Wiseman – Wiseman Productions

WHAT DOESN’T KILL ME gave me amazing insight into the hidden lives of those living with the consequences of domestic abuse. The film gave a voice not just to the abused partners but also to the even more rarely heard voices of the children affected. An amazing piece of work that all those interested in social injustice should see. –   Angie Sowton – In School Child Counsellor.

Who is Sean McAllister?

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From working in a pea factory to detention in Syria and curating Arts & Culture, McAllister brings more than your average Film Director…

Sean McAllister is joining tomorrow’s POP UP DOCS screening of A SYRIAN LOVE STORY, his multi-award winning documentary from 2015. We are really excited for this opportunity to talk with him about this story of love and revolution, documenting Raghda, Amer and their family’s efforts towards political freedom, filmed over a period of 5 years.

Most recently, McAllister was invited to curate MADE IN HULL, an enormous celebration of his native city for the opening of Hull’s year as 2017 UK City of Culture. Among other eclectic subjects: industry, fishing, clubbing and caravans were presented as a visual arts festival 1-7 Jan 2017 with a walking trail, artworks, projections and soundpieces.

“This seems a departure from your international documentaries or studies of Hull’s working classes…
I wanted to say no when I was offered it, but it was one of those once-in-a-lifetime opportunities that you can’t walk away from, and it opened my eyes to a different way of working, with a huge team, delegating a lot of the ideas. Our aim was to make the working-class population, 280,000 people, feel involved, because those people don’t naturally feel involved in what is called art or culture. Having worked in factories and come from that culture myself, I don’t naturally feel that is my world either.”*

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Since his first film WORKING FOR THE ENEMY Sean McAllister has won many awards and received much high praise for his work. A SYRIAN LOVE STORY was awarded the Grand Jury Award at Sheffield Doc Fest, the Special Jury Award at Biogram Festival and rated 3rd best film of 2015 by Peter Bradshaw of the Guardian, all in 2015.

*Nick Curtis interview of Sean McAllister, 1st Jan 2017